Videographer · Photographer · Montpellier
Broadcast-level equipment, filmmaker's tools, custom post-production. Not to impress – to deliver images that keep their promise.
01 – Image
Image quality is non-negotiable. I use the latest generation Micro 4/3 sensors capable of shooting 6K RAW and 4K 120fps without crop – a rare competitive advantage at this price level.
Main camera
The cornerstone of my image system. The GH6 delivers cinematic image quality with 5-axis IBIS stabilization that eliminates the need for a gimbal in many situations. The V-Log L profile provides 12+ stops of dynamic range for complete color grading in post.
Secondary camera · Main photo
The G9 II is my versatile camera: exceptional for photography (25 RAW frames/sec) and very capable in 5.7K video. Paired with the GH6 in multicam mode, it provides different angles on the same shoot without changing the optical system.
02 – Aerial
The FPV drone creates shots impossible to achieve any other way. Unlike a standard drone that simply overflies, the FPV enters the space, skims surfaces, and creates visceral immersion.
Cinema FPV drone
The DJI Avata is the most widely used FPV drone in professional production. Its built-in electronic image stabilization (EIS) makes shots directly usable without heavy post-stabilization, where DIY FPV drones produce raw footage requiring significant work. It goes where no other camera can.
03 – Movement
A steady shot that moves imperceptibly is worth a thousand shaky ones. Mechanical stabilization and controlled movements give every sequence the smoothness of cinema.
3-axis gimbal
Motorized 3-axis gimbal that eliminates vibrations and enables smooth handheld movement. Essential for walking shots, travelling pans and tracking subjects in motion.
Travelling rail
Motorized slider for perfectly smooth tracking shots over 60 cm to 1 m. Ideal for product shots, interior architecture reveals, and close-up tabletop shots. Silent – usable for direct sound recording.
04 – Light
Lighting accounts for 80% of a beautiful image. A professional lighting setup transforms any space – hotel room, artisan workshop, corporate office – into a cinematic film set.
Bi-Color LED lighting system
The Godox Litemon range is the reference in professional video production. Bi-color (2700K–6500K), app control, excellent color rendering quality (CRI 96+). I have 3 complementary sources to create any lighting look.
05 – Audio
Good audio is just as important as a good image. For interviews, wireless mics eliminate cables and free up movement. For ambiences and edits, the Zoom M3 camera captures the sonic environment with precision.
Wireless mics
Field recorder
06 – Post-Production
Post-production is where raw footage becomes film. Custom workstation, color-calibrated display, redundant storage: a pro pipeline from A to Z to guarantee quality and security of your data.
Custom editing workstation
Configuration built and optimized for 6K video editing – dedicated GPU for hardware acceleration, ECC RAM for stability, calibrated display for color accuracy. Real-time rendering, no compromise.
In the field
The equipment is just the tool. What matters is how it's used – reading available light, instinctive positioning, the patience to wait for the right moment.
These photos reflect the reality of a shoot: constant adaptation, calm in execution, and rigor in every technical decision.
On-location photos coming soon – shoots in progress
I invested in this kit for one simple reason: to never have to tell a client "that's not technically possible." Every piece of equipment was chosen after extensive real-world testing – not from a spec sheet.
The total value of the equipment isn't there to impress. It's there to reassure you: what I deliver was shot with professional tools, by someone who knows how to use them.
Your project deserves the best
A free quote within 48 hours. I'll explain exactly which setup will be deployed for your project and why.
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